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Choosing the right media career - for YOU

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There are literally hundreds of career options in Media. But which one is the right one for you? I get many students who have the wrong notion of what the Industry is about. Some come in with stars in their eyes, seeing only the glamour that is associated with the media. They either want to become actors, news anchors, or someone who is seen on screens. There are some who think they are great photographers, cinematographers, or DOPs (Director of Photography) as they are called now. But making those short films using a handycam, shooting a documentary with a DSLR does NOT mean that you become a DOP overnight. Or just because you have directed a couple of short films does NOT make you a Director in the Industry. Some also are very passionate about going into film production. I have seen many students who, after a few days find that job exhausting, and learn the hard way that they are not fit for the production side. There is also a notion that just because you do a course in Manageme

PG in Media - Degree or Diploma?

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This is a question I have been often asked during my 16 years in media education. There are benefits and limitations in both.  So what do you get in a degree course? Well, you get a degree, of course. Along with that you get very good theoretical and conceptual understanding of the subjects. After getting a PG degree, you can further do your NET/SLET and get into the teaching profession, or do your M.Phil., or Ph.D. Teaching is a great profession, and many have made careers in teaching. I too, am a teacher in media! Only, teaching is not just a profession, but a mission. And unless you treat it such, you are bound to fail. And I do make a sincere request. Do spend at least a couple of years in the industry, learn the ropes before you enter the teaching profession. This is for your own good, and more importantly you will do justice to the profession and your students who look up to you. Alternately, you can enter the industry. But unless you have practical knowledge / training

For every face you see on the screen, there are hundreds that work behind it.

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"Behind every face you see on the screen, there are hundreds that work behind it. And those are more stable professions." Imagine a film without a story and a script. Of course, you do come across some without any story, pun intended. Or imagine a a news bulletin without a teleprompter, newspaper without a journalist, a film being made without a lightman and the chaiwala, or a travel show without a team of researchers.  I could name HUNDREDS of such professions and job functions without whom, you will simple not be able to produce a media product. You could say that you you are a YouTuber, independent, operate your own camera and lights, but what about those who did the programming for you? Those who enabled encoding of your videos? You require people, and the media business is not a job, or a profession, in which you can produce AND distribute content without several people working behind the screen. I salute all those people and all those professions which allow

The Language of Films 1 - Low Angle Shot

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"For every face you see on the screen, there are hundreds that work behind it. And those are more stable professions."  Films are not just a source of entertainment and time-pass, they allow us to escape from the real world even if for some time, they provide us knowledge and information, make us nostalgic, help in companionship and conversation building, and release tension. Films have their own language, film making is an art, but a film is also a result of hard work, planning, and sweat and blood. To make a film, one should understand the Language of Film. As film makers, we use a language that not only tells a story, but we also create a product which could have a profound impact on the audiences. We tell our stories in a language that the audience may not understand, but certainly FEEL.  Let's consider the Low Angle Shot. The dictionary(dictionary.com) meaning is as follows: low-angle shot[ loh-ang-guh l ] noun (in motion pictures or photography) a

Selecting the Best Media Institute for your PG

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So are you done with your graduation? Just appeared for your final exams? And now looking forward to join a PG Course in Media, Advertising, Public Relations, Journalism, Film making, Television, Digital Marketing? There are several courses and institutes. But how do you choose? Here are some tips: Look at the syllabus:  Check out the syllabus of the institute. Is it updated? Ask the institute when it was last updated. Does it include the latest requirements by the industry? Check out the faculty:  Media training requires faculty that are trained in the latest techniques and technology. It requires working journalists, working PR professionals, film makers, ad professionals, because that is what gives you the edge over others. See how many faculty are in-house, and check their qualifications and experience in media. Check the list of faculty on the website of the institute. Contact students, get a feedback:  Either when you visit the institute, or search online, connect with s

Digital Mutants - A Reality?

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In my last two posts I have written about Digital Mutants, as a hypothesis based on observation, experience and pure guesswork. I am not a prophetic, and certainly not Marshall McLuhan. When I wrote about Digital Mutants, it was just an idea, so I decided to do some research. What I read is not surprising, and at least partly vindicates my stance.  Here is a small review of the literature I have found: A study done by researchers in Kings College, London found that there is a 39 per cent difference in the DNA of the highest and the lowest users of social media. They have attributed inherited genetic factors rather than environmental effects to these differences. You can read the full articles here: https://www.ft.com/content/419733b2-e181-11e6-9645-c9357a75844a https://www.thesun.co.uk/living/2686719/your-facebook-addiction-is-written-in-your-dna-your-genes-influence-how-long-you-spend-online/ https://www.sciencedaily.com/releases/2017/01/170123151411.htm Anothe

Digital Immigrants? No More!

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Marc Prensky coined the terms Digital Immigrants and Digital Natives in 2001. He explains how Digital Immigrant teachers - those who were not born in the digital age have learnt to adopt the new technology, and learnt to teach Digital Natives - the younger generation who are born digital. I always call myself a successful digital immigrants someone who have not been just a witness, but an active participant in this digital media evolution. I have imbibed the digital DNA into my own, and sort of become an instant 'digital mutant' several times over, simply to survive, and not perish in the digital tsunami. I teach digital media production and marketing to students doing their postgraduate courses in advertising, entertainment, and digital marketing at the MET Institute of Mass Media , and have to be constantly on my toes, upgrading myself, to remain relevant. But that will change soon - sooner than we thought. India has one of the world's cheapest data connectivity

A World of Digital Mutants?

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For people in their 50's like me, the evolution of digital technology has been surprising, overwhelming, disrupting and overwhelming. I had not even seen a television set till I entered senior college, had seen the computer only in SciFi and James Bond movies let alone touch it. I never thought I would ever make a film, simply because my family did not have deep pockets. For us, even owning a telephone was a luxury, and no thought of a mobile phone ever crossed our minds. I remember the time when I was first introduced to a computer in 1989; I was almost afraid to touch it. I remember how gingerly I used the mouse. I bought my first computer in 1992, which was a 386, with a 120 MB hard drive and a 4 MB RAM! And when there came along a 1.2 GB hard drive, we thought it could not get better than this. For the last about 100,000 years, we, the Homo sapiens have evolved with nature. We have got used to the sun, the moon, the weather, and the sunrise and sunset diurnal cycle. We fee